
Games (1967) - ** ½. I had just finished reading Hal (Duke, Tomboy) Ellson’s novelization of this Curtis Harrington thriller when it popped up on cable. It’s minor Harrington but still worth seeing Katherine Ross & James Caan in early pre-stardom roles.
Way Out West (1930) - ** ½. One of the better William Haines talkies I’ve seen about a carny huckster forced to work off a debt on a ranch. Lovely Leila Hyams co-stars with fine support from Charles Middleton, Cliff Edwards and Francis X Bushman Jr. Hyams is fondly remembered for roles in Freaks, Island of Lost Souls, & Ruggles of Red Gap, but this is the largest role I’ve seen for her. She retired in 1936 to everyone’s loss.
James Cagney was my favorite actor when I was growing up when his films played constantly on local television. So it was great to see a few of his early films that I’d only read about.
Sinner’s Holiday (1930) ** 1/ 2 is both Cagney and Joan Blondell’s film debuts and they clearly outshine stars (the doomed Grant Withers & obscure Evalyn Knapp). Cagney’s tearful confession scene with his mother is especially jarring and shows the talent to come.
Taxi! (1932) ** ½ is also a mixed bag but hotheaded Cagney keeps the contrived plot moving. Best scene: Cagney( & Loretta Young) lose a dance-off to George Raft so he slugs Raft creating a riot.
Much better is Picture Snatcher (1933) *** 1/2 , prime Cagney and a must for any Warner Bros. fan. The fast-paced plot is very loosely based on the newspaper reporter who snuck into an electrocution of husband murderer Ruth Snyder to take a picture.
The American (2010) - ****. Slow, meditative film set in Italy stars George Clooney as a hitman looking to connect. Reminds me of a cryptic 70s foreign film (Antonioni's The Passenger comes to mind). Costar Violante Placido is too stunningly beautiful for words.
The Smart Set (1928) - **. This trivial silent was William Haines’ most popular film and if you couldn’t figure out his sexual orientation from this, oy vey! His outrageously effeminate prancing and preening and mugging (as a spoiled rich polo player in pursuit of plain Alice Day) is hard to take and makes it extremely difficult to like his boorish, prissy, obnoxious character. He may have been instructed to overact (to add some needed life to lame story?), because he is much more subdued in Vidor’s Show People (1928) opposite Marion Davies.



WMSC 90.3FM
DRY RUN with Kris & Ken
13th Show. 8/29/11 (final show)
Flesh – Ken Nordine
Pithecanthropus Erectus – Charles Mingus
I Am What I Am – Adrian Belew/The Prophet Omega
If You Gotta Go, Go Now – Manfred Mann
Just Like Tom Thumb’s Blues – Bryan ferry
Everything Is Broken – R. L. Burnside
Highway 61 – Johnny Winter
We All Gotta Go Sometime – Joe Hill Louis
Dixie Fried – Carl Perkins
Hydramatic Woman – Joe Hill Louis
Her Love Rubbed Off – Carl Perkins
She May Be Yours – Joe Hill Louis
Greasy Chicken – Andre Williams
Bacon Fat - Andre Williams
Jail Bait - Andre Williams
Sweet Lil Pussycat - Andre Williams
Lost Highway – Hank Williams
Take the Highway – Marshall Tucker Band
Train In Vain – Dwight Yoakum
WMSC 90.3FM
DRY RUN with Kris & Ken
12th Show. 8/22/11 (All Covers Show)
Colorado Cool-Aid – Johnny Paycheck
Watermelon Man – King Curtis
Cover Me – Eddie Hinton
Farmer John – Neil Young
Are You Ready for the Country? – Waylon Jennings
Chokin’ Kind – Joe Simon
Stand By Your Man – Candi Staton
To Love Somebody – James Carr
Golden Rocket – Warren Smith
Big Legged Woman – Jerry Lee Lewis
Folsom Prison Blues – Charlie Feathers
Shake Around – Tommy Blake
Sunday Morning Coming Down – Johnny Cash
Help Me Make It Through the Night – Sammi Smith
Loving Her Was Easier – Waylon Jennings
Me and Bobby McGee – Jerry lee Lewis
Bacon Fat – Sir Douglas Quintet
He’s About a Mover – Dottie Campbell
Mercy Mercy – The Remains
Knock on Wood – Albert King/Steve Cropper/Pops Staples
Ticket to Ride – Vanilla Fudge
I Want to Hold Your Hand – Moving Sidewalks
I Should Have Known Better – The Skatallites
Good Golly Miss Molly – Creedence Clearwater Revival